Singer, songwriter, and guitarist Jeff Buckley's untimely death gives this 108-minute live performance inevitable poignancy and power as a rare, complete document of his passionate writing and playing style. At the time of Buckley's ascendance in the mid-'90s, both his high-flying vocal attack and his edgy poetic sense struck older listeners as genetic markers from his father, folk-rock legend Tim Buckley. Yet Buckley fils pursued a much more electric, rock-ribbed style, nodding toward behemoths like Pearl Jam and even Led Zeppelin. 　　This 1995 concert is a single, complete show from the tour that yielded the posthumous Mystery White Boy live album. It likewise impresses, both for Buckley's own songs and the bold cover choices included, here including songs associated with Nina Simone and the MC5 (a range that explains the emotional epics that Buckley favors). 　　Visually, the unadorned lighting scheme casts an often harsh light on the pale, dark-haired frontman, but a generally solid performance is sonically captured with satisfying detail, and the 5.1 surround sound mix gives the DVD version an appropriate club ambience. The DVD also includes two bonus acoustic performances.

Two mentally ill girls regret joining a cult... but is it too late?

"Live in Style" is a family story. The family are in a difficult situation now, but they try to overcome and live in style. Each member of this large family have unusual names.

Boyz In The Hood is transplanted to the modern day Chicago neighborhood of Englewood in William L. Cochran’s powerful directing debut. Englewood boldly blends humor, romance, tragedy, and hope in this tale of three friends struggling to get through high school. Amid violence,peer pressure, and family dysfunction, these friends pull through. Dennis,(Cochran) tackles the main role, whose behavior conceals his talents and his new girlfriend sees through his thug exterior. Will her encouragement be enough to steer him past disaster?

Janet Jackson performs live at the Aloha Stadium in Honolulu, Hawaii on the final date of her “All for You” concert tour.

A regular Nanjing high school student, Bai Yang, accidentally connects via a mysterious radio to a post-apocalyptic world twenty years in the future, where humanity has vanished. Through this eerie link, he encounters Ban Xia, the last surviving human in Nanjing—a lone, isolated girl. As their cross-temporal bond deepens, their shared faith and determination transform their solitary struggle into a united force. Together, across time and space, they uncover the tragic truth behind humanity's extinction and lead a courageous, bittersweet rebellion to redeem the fate of humankind.

Live performance of DEVO's debut album, "Q:Are We Not Men? A:We Are DEVO" at the Forum, London in 2009.

Picture this: a television screen filled with an image of a mature woman's hand holding the hand of an adolescent girl. Then those hands--and their owners, Barbra Streisand and 15-year-old look-alike and singing sensation Lauren Frost--ascend a flight of stairs that leads (suggestively, at least) to destiny itself. A third of the way up, Barbra releases her surrogate child-self... and watches as the latter climbs the rest of the way, disappearing into her future of possibilities. 　　Wow. Who else but Streisand could still pull off such an audacious moment of sentimental psychodrama, the way that only a true star could? Yet nestled within the autobiographical meringue of the legendary singer's Millennium's-End concert, performed at the MGM Grand Hotel in Las Vegas on December 31, 1999, that scene--and many other such self-referential moments reliving the sundry chapters of Streisand's life and career--is quite moving in its laid-bare honesty. A fuller experience than listening to the double CD of the concert, this video record of a magical night (does anyone remember our collective Y2K anxieties that New Year's Eve?) provides the most bang for the buck when it comes to reliving all those special scenes: surprise guest appearances (Barry Gibb, Bryan Adams, Neil Diamond, and Streisand's son, Jason Gould), duets with Judy Garland and Frank Sinatra (via video footage, of course), an appearance by dance master Savion Glover as Brother Time, a humorous bit with Shirley MacLaine, and several collaborations with Frost. If Timeless: Live from the MGM Grand was indeed, as Streisand claimed, the first step of a short farewell tour that ended in early 2000, it was the perfect way to exit the stage forever. --Tom Keogh